And thanks for this detail in particular.
I've made a couple of assumptions since the China tour. So not only does this detail highlight Libera's professionalism, it also confirms one of my guesses about how they handle things on stage.andmar wrote: ↑<span title="Sun May 27, 2018 10:58 pm">6 years ago</span> Again, it was amazing to see how professionally and in full focus the boys worked together with their director and technical stuff. During the soundcheck I was seated close to the sound mixing equipment and I could hear some directing, comments and leads made by Robert Prizeman which were apparently transmitted to the boys’ earphones. The boys responded to them perfectly and without hesitation or doubt. It all worked together like in a well-oiled machinery. The spirit of team work, reliance and confidence could obviously be seen.
I used to think they omitted Angele Dei for the new In Paradisum, but your assuption makes sense. I still find Angele Dei a bit more mystic than I Am The Day, although I am no biased and cannot decide which song I like more.filiarheni wrote: ↑<span title="Tue May 29, 2018 10:38 pm">6 years ago</span> Is it astonishing that they took a comparably new song, Angele Dei, out of the programme so soon? I was very surprised (once I realised it after the concert ), since it's the song for that venue. It got me thinking which song must have replaced it, because Angele Dei had been such a winner of the Libera audience. My guess is I am the Day, because this one is the most similar, as both have that resplendently flourishing, rich part and this even to the same word "illumina/illuminosa" (see lighting, too) after a mystic beginning. While, of course, Angele Dei does not copy from I am the Day, it's perfectly original. But as the set list served all kind of musical taste, I could imagine that Angele Dei fell off it for this nearness.