Exactly!
Historically the choir has been very protective of any rogue recordings that may make their way onto the internet perhaps showcasing them in not the best light. Partly this is because someone recording Libera on a mobile device from the 20th row of a large concert hall is going to make them sound far worse then they would have sounded at the time. Once in awhile I have come across such a recording on the net and it's completely garbage. There is often sound distortion and other problems because the sensitivity of the microphone on somebody's mobile device isn't designed for anything other than basic human speech, while a professional microphone of the sort that would go into the mixing board, even for a streamed concert, has much greater sensitivity and costs 100 times more.
I completely understand Libera’s desire to only put out high quality content without any glitches. Having attended concerts at which they had legitimate technical problems with just the regular equipment, never mind any equipment that would be recording or streaming the concert, I understand their hesitancy about this. Who can forget the terrible distortion we heard in Saint Louis in 2017? At one point the boys could barely hear each other as they were singing and moving into a new stage formation and kept looking around at one another to make sure they were maintaining the melody.
At this same concert Merlin, while singing “From a Distanceâ€, had to be repositioned by Robert, in the middle of the song

, to a stationary microphone because his regular individual microphone attached to his face had failed in some way! That was the first time I ever saw Robert get up in the middle of a song to reposition a member of the choir or to do anything else. Thankfully, Merlin handled it very well and even found it a bit entertaining, earning a few compliments later about it in the signing line
Imagine if this happened during a livestream
